Sümela Monastery

The Sümela Monastery (Greek: Παναγία Σουμελά, Turkish: Sümela Manastırı) stands at the foot of a steep cliff facing the Altındere valley in the region of Maçka in Trabzon Province, Turkey. It is a major tourist attraction located in the Altındere National Park. It lies at an altitude of about 1200 metres overlooking much of the alpine scenery below.
The monastery was founded in the year 386 (during the reign of the Emperor Theodosius I, AD 375 - 395) by two Athenian priests - Barnabas and Sophronius according to the Turkish Ministry of Culture [1]. Legend states that they found an icon of the Virgin Mary in a cave on the mountain and decided to remain in order to establish the monastery.
During its long history, the monastery has fallen into ruin several times and been restored by successive Emperors; During the 6th Century AD, it was restored and enlarged by General Belisarius at the behest of Justinian [2].
It reached its present form in the 13th century after gaining prominence during the reign of Alexios III (1349 - 1390) of the Komnenian Empire of Trebizond (established in 1204). At that time, it was granted an income from imperial funds. During the time of Manuel III , son of Alexius III, and the reigns of later princes, Sümela gained further wealth from new imperial grants.
Following the conquest by the Ottoman Sultan Mehmed II in 1461, it was granted protection by order of the Sultan and given rights and privileges which were renewed by following Sultans. Monks and travellers continued to journey there throughout the years and the monastery was extremely popular up until the 19th century.
The Monastery was seized for a time by the Russians during the occupation of Trabzon between 1916 - 1918.
It was finally abandoned in 1923, following the population exchanges between Greece and Turkey after the Treaty of Lausanne.
Today its main purpose is as a tourist attraction. Its place overlooking the forests and streams below make it extremely popular for its aesthetic attraction as well as for its cultural and religious interests. The Turkish government is currently undertaking necessary restoration works to the site.

Construction and buildings

The principal elements of the Monastery complex are the Rock Church, several chapels, kitchens, student rooms, a guesthouse, library and sacred spring revered by Orthodox Greeks. These were built over a very large area.
The large aqueduct at the entrance, which clearly supplied water to the Monastery, is constructed against the side of the cliff. The aqueduct has many arches which have mostly been restored to date.
The entrance to the Monastery leads up by a long and narrow stairway. There is guard-room next to the entrance. The stairs lead from there to the inner courtyard. On the left, in front of cave, there are several monastery buildings. The cave, which was converted into a church, constitutes the centre of the Monastery. The library is to the right.
The large building with a balcony on the front part of the cliff was used for the monks' cells and as guesthouse. It dates to 1860.
The influence of Turkish art can be observed in the design of the cupboards, niches and fire-place in the rooms of the buildings surrounding the courtyard.
The inner and outer walls of the Rock Church and the walls of the adjacent chapel are decorated with frescoes. The frescoes of the time of Alexios III can be seen on the inner wall of the Rock Church facing the courtyard. The frescoes of the chapel which were painted on three levels in three different periods are dated to the beginning of the 18th century. The frescoes of the bottom band are of superior quality.
The frescoes of the Sümela Monastery are seriously damaged, having largely been moved from their original settings. The main subject of the frescoes are biblical scenes telling the story of Christ and the Virgin Mary.

See also

Hagia Sophia, Trabzon
Mokissos

Bursa

Bursa (historically also known as Prusa, Greek: Προύσσα, and later as Brusa) is a city in northwestern Turkey and the seat of Bursa Province. With a population of 1.979.999 (2007 census), it is Turkey's fourth largest city, as well as one of the most industrialized and culturally charged metropolitan centers in the country.
The city is frequently cited as "Yeşil Bursa" (meaning "Green Bursa") in a reference to the beautiful parks and gardens located across its urban tissue, as well as to the vast forests in rich variety that extend in its surrounding region. The city is synonymous with the mountain Uludağ which towers behind the city core and which is also a famous ski resort. The mausoleums of early Ottoman sultans are located in Bursa and the numerous edifices built throughout the Ottoman period constitute the city's main landmarks. The surrounding fertile plain, its thermal baths, several interesting museums, notably a rich museum of archaeology, and a rather orderly urban growth are further principal elements that complete Bursa's overall picture.
Karagöz and Hacivat shadow play characters were historic personalities who lived and are buried in Bursa. Bursa is also home to some of the most famous Turkish dishes, especially candied chestnuts and İskender kebap. Its peaches are also well-renowned. Among its depending district centers, İznik, historic Nicaea, is especially notable for its long history and important edifices. Bursa is home to Uludağ University, and its population attains one of the highest overall levels of education in Turkey. It has traditionally been a pole of attraction and of refuge for immigration into Turkey from the Balkans, in sizable waves at times until quite recently.

History

The earliest known site at this location was Cius, which Philip V of Macedonia granted to the Bithynian king Prusias I in 202 BC, for his help against Pergamum and Heraclea Pontica (modern Karadeniz Ereğli). Prusias renamed the city after himself, as Prusa.
It was later a major city, located on the westernmost end of the famous Silk Road, and was the capital of the Ottoman Empire following its capture from the shrinking Byzantine Empire in 1326. The capture of Edirne in 1365 brought that city to the fore as well, but Bursa remained an important administrative and commercial center even after it lost its status as the sole capital. During the Ottoman rule, Bursa was the source of most royal silk products. Aside from the local production, it imported raw silk from Iran, and occasionally China, and was the 'factory' for the kaftans, pillows, embroidery and other silk products for the royal palaces up through the 17th century. Another traditional occupation is knife making and, historically, horse carriage building. Nowadays one can still find hand-made knives as well as other products in rich variety produced by artisans, but instead of carriages, there is a big automobile industry.
Bursa sits on a geologic fault like most of Turkey. The city was partially leveled by strong earthquakes coupled with fires and was rebuilt after each time. The last devastating earthquake occurred in 1885.

Economy

Bursa is the toe of Turkey's automobile industry. FIAT and Renault have for decades had important production units in Bursa. The textile and food industries are equally strong, and Coca Cola, Pepsi Cola, and other beverages brands, as well as fresh and canned food industries are present in the city's organized industrial zones.
Traditionally, Bursa was famous for its fertile soil and agricultural activities, both of which are decreasing due to the heavy industrialization of the city.
Bursa is also a major tourist center: One of the best ski resorts of Turkey is located at Uludağ just next to city proper. Its thermal baths have been used for therapeutical purposes since Roman times. Apart from baths operated by hotels, Uludağ University has a physical therapy center which also makes use of thermal water.

Places of Interest

A brief list of places of interest in and around Bursa is presented below. For a longer list, see Places of interest in Bursa.
Irgandi covered bridge. See photo on "TrekEarth nadirfotograf"
Yeşil Cami or the Green mosque
Uludağ National Park
Bursa city walls
Hot springs;
Çekirge
Armutlu
Oylat
Gemlik
Beaches;
Armutlu
Kumla
Kurşunlu
Palace and Hipogeum
Orhan Mosque and complex
Muradiye complex
Yeşil complex
Bayezid I Mosque and complex (külliye)
Emir Sultan Mosque and complex (külliye)
Hüdavendigar complex
Koca Sinan Paşa complex
İshak Paşa complex
Bursa Grand Mosque
Karacabey Grand Mosque
Yıldırım Bazaar
Museums;
Bursa Archeology Museum
Bursa City Museum
Bursa Atatürk Museum
Bursa Turkish Architecture Museum
Islamic Works Museum
Mudanya Armistice
İznik Museum
Cumalıkızık village

Ulu Camii (The Great Mosque)

Ulu Camii is the major mosque of Bursa and a landmark of early Ottoman architecture. It was built by Ali Neccar in 1396-1399, at Sultan Bayezid I's command. The mosque is large and rectangular, with twenty domes arranged in four rows of five supported by twelve columns. Supposedly twenty domes are built instead of twenty separate mosques that Sultan Bayezid I promised for winning the Battle of Nicopolis. It has two minarets. Inside the mosque there are 192 monumental wall inscriptions written by famous calligraphers. There is also a fountain (şadırvan) inside the mosque where worshipers can perform ritual ablutions before prayer; the dome over the şadırvan is capped by a skylight, creating a soft, serene light below. The story of the şadırvan inside the mosque, which is unheard of, that the land belong to an old lady who objected to her store taken by padişah. Because consent is not given for the piece of land, prayer cannot be conducted on it thus a şadırvan is built. Architecturally şadırvan helps to have light inside the mosque that is big.
The horizontally spacious and dimly lit interior is designed to feel peaceful and contemplative. The subdivisions of space formed by multiple domes and pillars create a sense of privacy and even intimacy. This atmosphere contrasts with later Ottoman mosques (see for example the work of Süleyman I's chief architect Sinan). These later mosques have increasingly elevated central domes, which create a vertical emphasis that is intended to be more overwhelming, in order to convey the power and majesty of the Ottoman Empire. It is a beautiful piece of architecture.